Silver Eagles for My Kids

The other day I picked up two American Silver Eagles with the dates 2013 and 2016.

These years are special to me because they are the birth years of my two sons. I had wanted to buy ASEs for these two years for awhile, but buying ASEs is not exactly as easy to do in Japan as in the States, so I delayed doing it and didn’t get around to it until recently when I happened to come across a place that had them.

As you can see, very good condition. Not that the condition matters. I’ll explain what I mean by that in a minute. If the price of silver just goes completely nuts, I won’t hesitate to sell and make a profit, but assuming just slow growth I’m planning on holding these until my kids are 30–40 or so and then giving the coins to them.

Rather than put the two coins in some kind of protective sleeve and lock them away, they immediately went into my pockets, one on each side. They’ve been in my pockets for over a week already, which accounts for some of the wear you already see on them. I figure that it will make a much more sentimental gift to pass on if it’s a worn coin I’ve been carrying for them for 30 years rather than some mint coin I had locked away and never looked at or touched. I don’t know, I might be thinking crazy, and maybe it would be better to put them away somewhere safe, but that is my rational anyway.

Now also whenever I reach in my pockets and touch the coins, I think of my kids, and that is always a good thing. I still have very vivid memories of the birth of my first son. My second is a little less clear than the first because I was trying to control my curious oldest son—he was only three at the time and my wife wanted him in there to witness the birth with us—but still it is strong. He helped me cut the umbilical cord. They are both growing up way too quickly: seven and almost eleven already. Thoughts of them are always near, so I don’t need the carry piece to bring them to mind, but it also won’t hurt.

The are attractive coins when new, aren’t they? But old and worn silver coins are also attractive. Hopefully the idea that the coins were carried daily by their old man will make them even more attractive to my boys.

Who knows—on one of my next trips to the States, I may seek out and buy another two ASEs at a coin shop for these years and then put them away to keep them mint, so that will always be an option. Maybe I’ll put a few more. President Eisenhower is said to have always collected silver dollars from the year of his birth (1890) and given them away to people he met. I could see myself collecting not only ASEs but other coins and rounds with these dates.

But for now I really like the idea of keeping these both as pocket coins, to finger when I get nervous or just when I want to think of my kids, or just to carry with me, and to pass on the worn coins when they are both old enough to appreciate the gift.

To Kill an Ant, Performed

A few weeks ago Mr Louis Josephson, a Juilliard composer, sent me an email asking for permission to use my translation for the haiku To Kill an Ant for a performance he was writing. I am more than happy to support the arts, so of course I said yes.

Flash forward a few weeks and he sent me a video of the performance. Watch it below. Mine is the second haiku in the performance.

LINK: 7 Haikus

I Am Poor: Bashō’s Pursuit of Poetic Purity

It still seems like autumn outside, but by the traditional Japanese reckoning we are into winter now. This in mind, a verse Bashō wrote about 343 years ago comes to mind.

雪の朝独リ干鮭を噛み得タリ
yuki no ashita hitori karazake o kami e tari[1]

this snowy morn
by myself
chewing dried salmon
—Bashō
[2]

Snowy Farmyard in Yaizu by Tsuchiya Koitsu
Snowy Farmyard in Yaizu by Tsuchiya Koitsu

Dried salmon was an ordinary food, far from the luxury of the rich. Bashō is setting himself as a man of the common people, a place he was most comfortable. However, at the same time, he is also setting himself apart from the common people. Let’s look at how.

In a headnote to this haiku he tells us:

富家喰肌肉丈夫喫菜根. 予乏し
Fuka wa kiniku o kurai, jofu wa saikon o kissu. Yo wa toboshi.
Wealthy people eat fine meat, and ambitious young men eat roots. I am just poor. (or “I lack both”)

The reference to “roots” is a nod to a classic Chinese philosophical text called Saikontan (菜根譚, Caigentan in Chinese) which was very popular in Japan during the Edo era. Written by Kōjisei (Hong Yingming in Chinese), it is a book of aphorisms from Confucianism, Taoism, and Chan (Zen) Buddhism. It is still fairly popular to this day—I’ve seen it compared in popularity in Japan to Meditations by Marcus Aurelius in the West.

One line from the book tells us that “A man who can get by on roots can achieve anything” (人常咬得菜根, 則百事可做). One can easily guess how people who aspired to great things might take this line literally and adopt the practice of chewing vegetable roots as a way to get there.

Bashō is having a bit of fun poking at both sides. He is denying both riches and ambition. He has no desire for either and prefers to be a poor poet; just as a monk sets all ambition and desire aside in their pursuit of the Buddha, Bashō does the same in is pursuit of poetic purity.

Snow is a kigo (season word) for late winter, roughly 1/6 – 2/3 on our current calendar, but the main kigo here is dried salmon which is a kigo for all winter. Back in the day, salmon would have their guts removed and then be hung to dry under the eaves of buildings and would be eaten all winter.


Licensed under Creative Commons by Yosi Oka

Tatsuya Tanaka’s Miniature World: The Art of Mitate

From Tokyo Weekender. This is really a wonderful introduction to a person and art form that I previously had no awareness of.

Tanaka is a photographer of mitate, an art form that requires the admirer to look beyond the final composition to discover visual puns and other layers of meaning hidden in plain view. It’s a role he’s done better than anyone else for over a decade. The mitate he photographs are his tiny worlds, for which he references miniature — the small representation of something — and diorama, which refers to 3D depictions of scenes or environments.

Here is the Wikipedia entry on mitate.

He does these miniature scenes every day on his website, Miniature Calendar, taking around four hours to craft the images. He also has an Instagram account. Both are well worth following.

LINK: The Miniature Worlds of Artist Tatsuya Tanaka

Today in Japan for Dec 6 — A Legacy in Gaming

And here is your daily almanac for Tuesday, the sixth of December 2023. Today, in 1950, Joe Hisaishi was born. He would go on to be a renowned composer known for his scores in many of Studio Ghibli’s films. His music has undoubtedly touched the hearts of many, making him a favorite composer in Japan It is also the birthday of Satoru Iwata, born in 1959. In the gaming world Iwata’s impact on Nintendo and the gaming industry at large was huge. ![][Focus Photo] Iwata’s career in gaming started at HAL Laboratory, where he worked on titles like *Kirby* and helped bring *EarthBound* to life. He joined Nintendo in 2000 and quickly rose through the ranks, becoming the company’s fourth president in 2002. Under his leadership, Nintendo released the Nintendo DS and the Wii, two of the most successful gaming consoles in history. Iwata’s approach was revolutionary. He believed in creating games that were accessible to everyone, not just hardcore gamers. This philosophy led to the development of games like *Wii Sports* and *Brain Age*, which expanded the gaming audience to include people of all ages and backgrounds. Before the rise of smartphones, *Brain Age* was the casual game that many non-gamers bought the DS for and would be seen playing. His beloved status at Nintendo was not just due to his innovative vision but also because of his approachable and humble demeanor. He was known for his willingness to put himself on the front lines with his development teams, a rarity in corporate culture. His famous quote, “On my business card, I am a corporate president. In my mind, I am a game developer. But in my heart, I am a gamer,” perfectly encapsulates his dedication and love for gaming and is why he is so beloved in the industry today. His untimely passing in 2015 was a significant loss to the gaming community and industry. Yet, his legacy continues to inspire new generations of game developers and players. — Today is *senbu* (先負), traditionally considered a day where the morning is auspicious, but caution is advised in the afternoon. (Read more about the rokuyō [here][rokuyō])[^1] [^1]: Like many things on this site, I haven’t restored the version I made for this website yet and this is a lesser version I wrote for my Hive blog sometime ago. I will try to remember to update this whenever I repost the article on this site. On the old calendar, today would have been the twenty-fourth day of the tenth month. We are still within the mini-season *Shōsetsu* (小雪), marking the period of early snow, and the microseason *Tachibana hajime te kibamu* (橘始黄), when tachibana (Japanese bitter oranges) begin to turn yellow. This time of the year, when nature subtly shifts its colors, reminds us of the gentle, yet impactful, change nature has on our lives. ![Bird on Snow Covered Berry Branch by Hirose Biho][Sekki Photo] — Here’s a haiku from Kagami Shikou: うらやまし美しう成て散る紅葉
*urayamashi utsukushuu natte chiru momiji* envied by all
turning beautiful then falling
autumn leaves ![Autumn Maple Leaves and a Stream by Watanabe Seitei][Haiku Photo] This haiku touches on the concept of mono no aware (物の哀れ), the awareness of the impermanence of things, and the gentle sadness and wistfulness at their passing. It is a sentiment deeply ingrained in Japanese aesthetics and culture, much like the appreciation for each season’s unique beauty and the recognition of life’s ephemeral nature. Shikou’s haiku invites us to appreciate the beauty in transient moments and the impact they leave behind. It’s a reminder to cherish the present and the legacy we create through our own fleeting yet meaningful journeys. — As we observe the early signs of winter and the ripening tachibana, let us remember Satoru Iwata’s incredible journey. His work not only reshaped the gaming landscape but also brought joy and entertainment to millions around the world. Let’s cherish the creativity and passion that drive innovation and touch our lives in myriad ways. Be well, do good work, and stay in touch. [divider]: https://images.hive.blog/0x0/https://images.ecency.com/DQmR3iwCn9yvwXDXfuNjmMX6FrjAvFfYQWgA4QRckpens1j/external_content.duckduckgo.png [rokuyō]: https://peakd.com/japan/@dbooster/japans-good-and-bad-luck-calendar–the-rokuyo [Focus Photo]: http://laspina.org/images/photos-notmine/iwata.jpg [Sekki Photo]: http://laspina.org/images/woodblock/bird-snow_Hirose-Biho.jpg [Haiku Photo]: http://laspina.org/images/woodblock/momiji-Seitei.jpg [translation]: /a-note-on-translations [pronunciation]: /pronunciation
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